Launching an exhibition during lockdown, Christina Read and Grace Ridley-Smith found physical closure didn't mean intellectual closure.

Jess Scott takes another look at the Museum of Broken Relationships after hearing reports of a spike in lockdown-related break-ups.

A spot of unique beauty, the Greek Orthodox Church of the Transfiguration in the Wairarapa garners keen curiosity from the public.

Caryline Boreham explores a new sense of subjectivity and connection in her deeply personal work that casts a lens on long-term illness.

Matthew Plummer's discovery of vibrant and dynamic scenes of Wellington from a century ago offer a glimpse into the city's early days.

Korean born Joon-Hee Park says her paintings are like baking cakes, filled with childlike play and sprinkled with bittersweet nostalgia.

Prakash Patel describes his painting process as a journey without a destination. He talks on the role of space, dreams and magic in his work

Maeve Hughes reviews 'Encounter 1', the first in a series of exhibitions exploring 'encounter' at Wellington's City Gallery.

Josephine Cachemaille creates artworks of empowerment for her daughter in her new exhibition 'She's a Force'.

Coveting art that has meaning to her, and pieces she wants to live amongst, Frances Bennington's home is a gallery of treasures.

In Shelley Norton's hands, a controversial material is transformed into intricate works of art.

Metiria Turei works to centre Indigenous identity and experience in her art and is learning to speak with things rather than words.

Photographer Jonathan Kay creates icy art. His new experimental project 'Ice Field' uses large scale photograms to capture glacial details.

Painter Judy Millar talks about her relationship with Colin McCahon, her artists residency at the McCahon House, and her upcoming works.

To mark 100 years since the opening of Sarjeant Gallery Te Whare o Rehua, past gallery director Bill Milbank selects his favourite pieces.

Representing Aotearoa at this year's Venice Art Biennale, Dane Mitchell explores the vanished, the forgotten, and the imperceptible.

Matariki Williams visited 'Māori Moving Image: An Open Archive' and writes how the concept of palimpsest helped her understand its layers.

April marked 150 years since the birth of Frances Hodgkins. To celebrate, Francesca Emms spoke to big time Frances fan, Dr Joanne Drayton.

Whanganui artist Lynn Hurst walks Francesca Emms through her elaborate digital works that explore earthly pleasures and human nature.

Jake Walker's textural and abstract pieces are a nod to the influence of design and architecture on his way of seeing the world.