Wanaka-based Martin Hill and Philippa Jones draw attention to environmental degradation in their exhibition 'Temporal Landscapes'.

Catharina van Bohemen reviews Gregory O'Brien's 'Always Song In The Water', which meditates on what it means to live in Aotearoa.

Investigating relationships, systems, and equilibrium, Richard Tuttle marries language and image in a poem that unfolds as an installation.

150 years since the birth of Frances Hodgkins' sees the release of two new publications detailing her life and work.

An NYC choreographer uses an evolving dance residency to challenge our notions of stasis. Sophie McKinnon reports.

Visiting 'Frances Hodgkins: European Journeys' in Auckland, Maeve Hughes found the artist was fluent in the language of light.

In Carlos Sandoval de León’s exhibition at Cindy Rucker Gallery in New York, a conscious system of change is operating in situ.

'Semiconductor: the Technological Sublime', an enchanting and absorbing art video installation, gets a visit and review from Janet Hughes.

Matariki Williams visited 'Māori Moving Image: An Open Archive' and writes how the concept of palimpsest helped her understand its layers.

Sophie McKinnon revisits Yayoi Kusama's most enduring works, and finds euphoria and invigoration in the artists reflections of the world.

Maeve Hughes tells how Eva Rothschild's 'Kosmos' at Wellington's City Gallery allows the viewer to become a cosmonaut in a space of shapes.

Peter Adds reviews Roger Blackley's 'Galleries of Maoriland' and finds its insights into colonial history and prehistory deeply fascinating.

Sophie McKinnon looks into the world of New York artist, Brook Hsu, and finds eco-works that reveal processes of reflection and healing.

Janet Hughes checks out a new volume exploring the colourful life and works of Douglas MacDiarmid.

Otobong Nkanga explores the contested social and political histories of colonialism through performance, drawing, photography, and more.

Sam Trubridge reviews a new book that explores Vonny Ball's journey with ceramics.

Craig Beardsworth wonders over the talent of Sam Duckor-Jones, sculptor and recently turned poet.

New Zealand artist Sam Trubridge finds an unexpected oasis at the Utah Museum of Fine Arts.

Janet Hughes reviews a new book that delivers a solid academic history of the University of Otago’s Hodgkins Fellowship.

Craig Beardsworth reviews 'Miranda Parkes: the merrier' and delights in its simple essays and joyous design.